Monday, 23 September 2013
Sunday, 22 September 2013
Research: Laura Mulvey - Representation
Representation consists of many parts – gender, age,
ethnicity, regional Identity etc. Music videos place a great emphasis on
representation of gender, especially of females for the male gaze. Laura Mulvey
said:
“In a world ordered
by sexual imbalance, pleasure in looking has been split between active/male and
passive/female. The determining male gaze projects its fantasy onto the female
figure which is styled accordingly.” In other words, she is saying that the
audience is usually watching through a man’s perspective; therefore, woman are
often dismembered and objectified in order to appeal to the male audience. This
is done through the choice of clothes, hair, setting etc.
The video for Blurred Lines (Robin Thicke ft T.I &
Pharrell) is a video which strongly objectifies woman and focuses on the male
gaze and pleasure, through the use of wearing lingerie and being viewed
sexually by the artists.
However, there are some artists who challenge the
representation of woman when creating music videos. Adele has proven that whilst
looking elegant, fully clothed, and sitting down the whole duration of a video,
the video can still be a hit without being sexually presented to the world. Her
video for Rolling in the Deep had received 432,342,027
views on YouTube!
Research: Carol Vernallis – Media Language in Music Videos
It has been found that the camerawork and editing used in
music videos highly contrast to that of those used in films and TV programmes.
Carol Vernallis had observed the camerawork and editing, and found that they
match and move in time with the beat of the music; thus edits appear more
frequently. The edits also have a rhythmic base, and the rules of the continuity
editing are broken & jump cuts are used. Furthermore, the edits are usually
obvious to draw attention to themselves, such as wipes and special effects.
The music video’s structure is created through the use of
a master shot (base track), and the camera moves in time with the music.
A good example which follows these conventions is Rihanna’s
music video for Who’s That Chick
Research: Andrew Goodwin – Structure of Music Videos (Dancing in the Distraction Factory)
According to Andrew Goodwin, circular narratives (Todorov’s
theory) do not apply to music videos, as music videos are trying to portray
stories from a different angle to novels and films. Music videos are built
around the song itself; therefore they do not pose the traditional narrative
structure (equilibrium - disequilibrium - equilibrium). Moreover, the artist
plays the part of the narrator and character throughout the narrative, whilst often
looking into the camera to involve the audience.
In comparison to films/TV, music videos often use
repetition of same scene/location the way the song has a repetition of
choruses. The repetition of the chorus and scene helps the audience to familiarise
themselves with the genre of the song. All songs have a form of ending – builds
to a climax or constant repetition before fading away.
Music videos have been widely found to follow one of
three structures:
o Illustration
o Amplification
o Disjuncture
Illustration –
The visuals used in the music video relate to the lyrics and tell the story. A good example of this would be Jessie J's song Who's Laughing Now
Amplification –
The visuals and lyrics do not contradict the lyrics, but there is a strong
connection between the lyrics and the visuals
Disjuncture –
There is very little connection between the lyrics and what the audience sees,
and the meaning of the song are ignored visually
Research: What is the main function of music video?
The main function of a music video is to promote the single, the album and the artist. Music videos were first produced during the mid late 70s. Before the 70s, TV producers were using recorded performances. Without a music video, there would be less chance of the artist to be known to a wider audience.
The main purpose of a music video is to promote the single, the album and also the artist. Without a music video, nowadays, its less likely for any artist to increase their fame as there is an increase audience on music channel on television or online websites. It is also a way to entertain the viewer by highlighting the talents of the artists.
Music video is much shorter than a movie. Its more seen as an advert but between 3-5 mins. its also different than TV shows as they use deliberate shots and change of shots which follows the beats and follow the tempo of the song. Theres a high use of editing that takes place. Music videos have developed in a more sophisticate way which enables the artists to perform and become more engaged.
Music videos such as Gangnam style shows the difference between a movie or any other show. In the video, the singer performs different roles such as being the singer, a dancer, the main entertainer. Whilst in a movie or TV show the character has only one role.
The main purpose of a music video is to promote the single, the album and also the artist. Without a music video, nowadays, its less likely for any artist to increase their fame as there is an increase audience on music channel on television or online websites. It is also a way to entertain the viewer by highlighting the talents of the artists.
Music video is much shorter than a movie. Its more seen as an advert but between 3-5 mins. its also different than TV shows as they use deliberate shots and change of shots which follows the beats and follow the tempo of the song. Theres a high use of editing that takes place. Music videos have developed in a more sophisticate way which enables the artists to perform and become more engaged.
Music videos such as Gangnam style shows the difference between a movie or any other show. In the video, the singer performs different roles such as being the singer, a dancer, the main entertainer. Whilst in a movie or TV show the character has only one role.
Saturday, 21 September 2013
Research: Copy Of Copyright Clearance
113 Mayville Road
Leytonstone London
E11 4PL
15/09/2013
The Matrix Complex
91 Peterborough Road
London
SW6 3BU
Dear Takeover Entertainment,
The finished project will not be made available publicly and will be used solely for coursework purposes. The holder of the original copyright will be fully acknowledge in the finished project.
If you do not hold the right for this song I should be grateful if you could forward this request to the appropriate person, or return it to me with the contact details in order that I might approach the copyright holder directly.
Yours faithfully
S.louise
Samuel Louise
Sam13here@live.co.uk
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